Is it ever possible to be truly settled here? I keep telling people that I'm still settling-in, that my routine isn't cemented yet, that I'm waiting for my initial busy-ness to calm down.... It seems like a never-ending refrain, and given the metamorphosing quality of my schedule here, I can't imagine a week where I'm not rolling with some unexpected punches. Everyone said India was unpredicatable, but no one ever told me my routine would be as well.
There hasn't been a single day since I posted last with a fully repeating schedule. I started off taking shared auto-rickshaws to work. Then, with my new purchase of a bike, that changed. I biked one route. I biked a different route. I biked to the office and the center in the same day. I went only to the office. I went only to the center. I left work early. I came to work late. I didn't go to work at all. I got sick. I got better. I thought by now I'd be "settled." But, clearly, I was mistaken.
I've now been to Guria's non-formal education center a handful of times. Much fewer than I would have liked, but, as I said, it's clear that India controls these things, not I. Nevertheless, I appreciate each and every time that I have gone and am always looking forward to next time. I arrive at the center and am immediately greeted by a room full of excited, often screaming, children. The room clamors with their calls of namaste ma'am! and they all beckon for me to sit next to them, calling out ma'am, ma'm, here! From there, things can go a million different ways (although I'm sure a concrete number of ways will become apparent once I've spent more time there). Sometimes it is time for art, sometimes games, other times sports, and, at times, a free-for-all that translates in to a small mass of kids clambering for my attention.
Communication can be comical, but I understand just enough that, for now, the energy, excitement and enthusiasm of the kids can fill in the blanks. Some things, however, get stuck on one side of the Line of Communication, weighed down by too many unknown words and no amount of men nehin samajti hoon ("I don't understand") can unstick them. That, mostly, is when things get frustrating, and as patience is not a virtue of mine, I have to constantly remind myself to be satisfied with incremental improvement in my Hindi - and my relationships with the kids. There are so many of them - ranging from toddlers to about my age - all with names I've never heard before, which has made learning them quite difficult, but the kids seem to intuit this problem and continuously remind me their names. Besides playing kabaddi with them, drawing elephants, camels and sadhus on command, and embarrassing myself trying to replicate their Bollywood dance moves, I will hopefully start taking over some of the typing classes, a smaller setting in which I hope to get to know the older kids better.
My goal is to go to the office and the center every day, but even with my newly found affinity for biking, that is still a 24 kilometer circuit, so it's something I'm working my way up to. I always hated biking in traffic at home, so with the jigsaw puzzle traffic, ubiquitous collisions, short stops, stubborn cows, herds of water buffalo, and general unpredictability here in Benares, I was quite nervous before my first eight kilometer stretch from the program house to the office. What I discovered, however, is that that best way to deal with the traffic is to join it. There is so much more freedom in biking here than in walking - and I would say much more freedom in biking here than in biking in the states. You are simply another part of the many-faceted traffic, and with an eye over your shoulder and an eye up ahead, you can slide in and out of traffic, past the incredibly annoying cycle rickshaws and onward through crazy intersections, just another bike among thousands. That's not to say that I've never hit impassable intersections, been unceremoniously cut off by motorcyclists (always), stopped short by a cow, or had near-collisions (the bruise on my arm may beg to differ with the "near") with crazy rickshaw drivers, but it's all just part of the experience - and, even more importantly, it means that I have the ability to go wherever I want in Benares whenever I want, delving deeper and deeper in to life here.
Although the majority of my time is spent on a bike, at work, in Hindi class or asleep, we have had the opportunity to involve ourselves in other parts of Indian culture. Last weekend, we went to a dandia, which is traditionally an Indian dance done with sticks, but the event that we found ourselves in attendance of was clearly dandia for the year 2012. We arrived in a rather non-descript part of town, with a beacon of light coming from a set of bouncer-guarded doors that opened on to an long walkway, draped in richly colored cloth and twinkling lights. At the end of the walkway, feeling as though we had just walked down the red carpet to the Oscars, we found ourselves in a huge, enclosed outdoors space, surrounded by endless tables of food, flashing lights, vibrating music, and crowds of people dressed in their finest, draped in rich silks and sparkling embellishments and laden down with armfuls of bangles and elaborate ornamental jewelry. It was difficult to do anything but stand there, dumdfounded, thinking what is this place? After making our way through all the food stations (twelve meal-sized appetizers and deserts, as well as one many-tabled "main meal" station), we found our way to the dance floor. Armed with two sticks per person and no knowledge of the traditional dandia dance nor any current dance moves, we danced the night away, drawing a lot of attention to ourselves, as well as more accomplished dancers who tried to, rather unsuccessfully, teach us by example. Eventually abandoning our sticks and fully embracing the current Bollywood hits blasting from the speakers, we all discovered our newfound love for this incomprehensible phenomenon - dandia.
In a week of festivities kicked off by dandia, Navratri, Dashera and Bakri Eid followed. Navratri is actually a nine night festival which had started the previous week, but it was only after dandia that we took part in the festivities praising Durga, the supreme goddess to which the holiday is dedicated. On Monday night, we went on a "Durga pooja" walk, driving all across Benares and stopping at the best and biggest Durga shrines. At nine o'clock at night, when the city is us ually going to sleep, the Durga-dedicated enclaves were loud and bustling. Massive temples made from metal frames and wrapped in cloth, erected just for the nine days of Navratri, gave the impression that they were ancient, intricately carved buildings. Inside these optical illusions, tightly packed masses of people crowded in to see the towering, larger than life statues of Durga. The air clamored with the sounds of prayers, of music blasting from invisible loudspeakers, and of the rustling of hundreds of shuffling bodies. Insence-laden smoke swirled out in tendrils from golden lamps. Outside the temples, it looked like a fair-ground, with strands of holiday lights draped across buildings and strung out overhead, flashing, twinkling, and making the normally drab night-time streets of Benares glow with color. All around the temples, and spread out among the crowds of people, were stands of food vendors selling fare ranging from chaat and golgappa to popcorn, peanuts, momos and ice cream. The Indian festival season was in full swing.
After two consectutive nights of celebration, we had one night off, and then on Wednesday, it was back to festivities with the arrival of Dashera. The source for Dashera is in the Ramayana, an ancient Indian epic important to Hindus (although whether it has actual religious significance is up for debate). The Ramayana tells the story of Ram, the paradigmatic Indian hero, and the kidnapping of his wife, Sita, by Raven, the evil devil-king of Sri Lanka. In short (because the Ramayana is still on my to-read list), Dashera celebrates the day on which Ram killed Raven, ending his life with a fiery arrow blessed by god. In rememberence of this, on Dashera, all across India, effigies of Raven are lit on fire, exploded, and shot with arrows. Thus, on Wednesday night, we made our way to Lanka where a 50 foot tall statue of Raven towered over the packed streets, and hawkers laden with pinwheels, bows and arrows, and toy swords pushed their way through the crowds. We waited in anticipation of the main event as fireworks exploded across the sky. Suddenly, struck by a fiery arrow, Raven's head went up in flames. Spurred on by the small explosives stuffed inside, Raven's effigy was soon fully ablaze. Moments later, a pile of smoldering ashes lay where the 50 foot devil-king had once stood.
Then, this past Saturday marked the start of Bakri Eid, a Muslim holiday that commemorates what in Judaism is called akeidat yitzchak, also known as the "binding of Isaac" - or when Abraham was told by god to sacrifice his son, Isaac, but at the last minute was told to sacrifice a ram instead. The difference between the Jewish and Muslim tradition, however, is that in Islam, it is Ishmael, Abraham's other son (who is generally considered to be the forefather of Islam), who Abraham almost sacrificed. Thus, on Bakri Eid, Muslim families slaughter rams (or animals similar to rams) in commemoration of Abraham's sacrifice. In India, Pakistan and Bagladesh, goats are typically the animal of choice, and thus the name used for the holiday in those countries - Bakri Eid - comes from the Urdu word for goat. Wealthy families, apparently, will slaughter camels or water buffalo instead (quite a feat if you've ever seen a water buffalo or the size of the camels that have been wandering the streets around here).
Braced for the slaughter, we headed over to the home of Bridge Year's Urdu teacher (for those people who decide to learn Urdu as the year progresses) to witness his family's observance of Bakri Eid. As we walked in the door and he welcomed us, we were all prepared to be sat down, prepped for the slaughter, given time to gather ourselves and then, with emotions in check, lead to watch the slaughter of the first goat. But as soon as Salman welcomed us and started to lead us in to the house, we were informed that "the slaughter is already in progress." To me this meant that perhaps the first goat was already out there with a knife at its neck, but as soon as I got a glance into the house's small courtyard, I realized this was not the case.
If you're squeamish, I suggest that you skip the next paragraph.
Covering the stone floor of the courtyard was the carnage of dead goats. Glazed eyes, heads unnaturally bent back, and pools of red, red blood flowing slowly in to the drain. At first, the image was quite jarring, like the scene of a massacre flashed across news headlines. But the goats were dead - there was nothing to be done for them - and there had been nothing sadistic about their killings. It was only our minds, racing, looking for associations, trying to label and categorize what it was seeing, that gave the scene an eerie feel. But as we stood there, watching, acclimating, fascinated, and the men began to transform the carnage in to food, cutting, skinning, disemboweling, and cleaning, what had appeared to be a bloody mess became and organized, logical process for obtaining food. The most interesting part of the process was when the internal organs came out; it was almost unfathomable to me that the non-descript, mushy mess in front of my eyes had been able, moments before, to sustain a living being, and that I, too, sitting there, breathing, talking, thinking, watching, was alive and running due to the very same internal mush. If there was anything religious about the experience, it was that realization.
It was only after witnessing this process repeated for several goats that we saw the actual goat slaughter. Salman's family was slaughtering thirteen goats overall - the ideal is one for every person in the household, but between the several families participating in this joint venture, even with thirteen goats, they had not quite reached that goal. Having already seen what "after the slaughter" looks like, we were much more prepared to watch what was coming. We watched as three more goats were slaughtered. Again, you had to dissociate what was happening in front of you from the normal associations the brain makes with death and killing. The eerieness of slaughter comes from associating it with people, rather than thinking of it as a method of acquiring food. Obviously, some vegetarians may disagree, but people who eat meat have to admit that slaughter is an integral part of the process of obtaining food, a procedure that is quite different from the non-technical meaning of the word "slaughter," the one with which our brain most commonly associates. This is not at all to say that I enjoy watching animals be slaughtered, but I thought it was an important, interesting and edifying experience to have, not to mention that being part of a Bakri Eid celebration was an intersting experience in and of itself.
Now, with a short break from the festivities, I'm catching my breath before the biggest celebration of all - Diwali.
Happy festival season, all!
There hasn't been a single day since I posted last with a fully repeating schedule. I started off taking shared auto-rickshaws to work. Then, with my new purchase of a bike, that changed. I biked one route. I biked a different route. I biked to the office and the center in the same day. I went only to the office. I went only to the center. I left work early. I came to work late. I didn't go to work at all. I got sick. I got better. I thought by now I'd be "settled." But, clearly, I was mistaken.
I've now been to Guria's non-formal education center a handful of times. Much fewer than I would have liked, but, as I said, it's clear that India controls these things, not I. Nevertheless, I appreciate each and every time that I have gone and am always looking forward to next time. I arrive at the center and am immediately greeted by a room full of excited, often screaming, children. The room clamors with their calls of namaste ma'am! and they all beckon for me to sit next to them, calling out ma'am, ma'm, here! From there, things can go a million different ways (although I'm sure a concrete number of ways will become apparent once I've spent more time there). Sometimes it is time for art, sometimes games, other times sports, and, at times, a free-for-all that translates in to a small mass of kids clambering for my attention.
Communication can be comical, but I understand just enough that, for now, the energy, excitement and enthusiasm of the kids can fill in the blanks. Some things, however, get stuck on one side of the Line of Communication, weighed down by too many unknown words and no amount of men nehin samajti hoon ("I don't understand") can unstick them. That, mostly, is when things get frustrating, and as patience is not a virtue of mine, I have to constantly remind myself to be satisfied with incremental improvement in my Hindi - and my relationships with the kids. There are so many of them - ranging from toddlers to about my age - all with names I've never heard before, which has made learning them quite difficult, but the kids seem to intuit this problem and continuously remind me their names. Besides playing kabaddi with them, drawing elephants, camels and sadhus on command, and embarrassing myself trying to replicate their Bollywood dance moves, I will hopefully start taking over some of the typing classes, a smaller setting in which I hope to get to know the older kids better.
My goal is to go to the office and the center every day, but even with my newly found affinity for biking, that is still a 24 kilometer circuit, so it's something I'm working my way up to. I always hated biking in traffic at home, so with the jigsaw puzzle traffic, ubiquitous collisions, short stops, stubborn cows, herds of water buffalo, and general unpredictability here in Benares, I was quite nervous before my first eight kilometer stretch from the program house to the office. What I discovered, however, is that that best way to deal with the traffic is to join it. There is so much more freedom in biking here than in walking - and I would say much more freedom in biking here than in biking in the states. You are simply another part of the many-faceted traffic, and with an eye over your shoulder and an eye up ahead, you can slide in and out of traffic, past the incredibly annoying cycle rickshaws and onward through crazy intersections, just another bike among thousands. That's not to say that I've never hit impassable intersections, been unceremoniously cut off by motorcyclists (always), stopped short by a cow, or had near-collisions (the bruise on my arm may beg to differ with the "near") with crazy rickshaw drivers, but it's all just part of the experience - and, even more importantly, it means that I have the ability to go wherever I want in Benares whenever I want, delving deeper and deeper in to life here.
Although the majority of my time is spent on a bike, at work, in Hindi class or asleep, we have had the opportunity to involve ourselves in other parts of Indian culture. Last weekend, we went to a dandia, which is traditionally an Indian dance done with sticks, but the event that we found ourselves in attendance of was clearly dandia for the year 2012. We arrived in a rather non-descript part of town, with a beacon of light coming from a set of bouncer-guarded doors that opened on to an long walkway, draped in richly colored cloth and twinkling lights. At the end of the walkway, feeling as though we had just walked down the red carpet to the Oscars, we found ourselves in a huge, enclosed outdoors space, surrounded by endless tables of food, flashing lights, vibrating music, and crowds of people dressed in their finest, draped in rich silks and sparkling embellishments and laden down with armfuls of bangles and elaborate ornamental jewelry. It was difficult to do anything but stand there, dumdfounded, thinking what is this place? After making our way through all the food stations (twelve meal-sized appetizers and deserts, as well as one many-tabled "main meal" station), we found our way to the dance floor. Armed with two sticks per person and no knowledge of the traditional dandia dance nor any current dance moves, we danced the night away, drawing a lot of attention to ourselves, as well as more accomplished dancers who tried to, rather unsuccessfully, teach us by example. Eventually abandoning our sticks and fully embracing the current Bollywood hits blasting from the speakers, we all discovered our newfound love for this incomprehensible phenomenon - dandia.
In a week of festivities kicked off by dandia, Navratri, Dashera and Bakri Eid followed. Navratri is actually a nine night festival which had started the previous week, but it was only after dandia that we took part in the festivities praising Durga, the supreme goddess to which the holiday is dedicated. On Monday night, we went on a "Durga pooja" walk, driving all across Benares and stopping at the best and biggest Durga shrines. At nine o'clock at night, when the city is us ually going to sleep, the Durga-dedicated enclaves were loud and bustling. Massive temples made from metal frames and wrapped in cloth, erected just for the nine days of Navratri, gave the impression that they were ancient, intricately carved buildings. Inside these optical illusions, tightly packed masses of people crowded in to see the towering, larger than life statues of Durga. The air clamored with the sounds of prayers, of music blasting from invisible loudspeakers, and of the rustling of hundreds of shuffling bodies. Insence-laden smoke swirled out in tendrils from golden lamps. Outside the temples, it looked like a fair-ground, with strands of holiday lights draped across buildings and strung out overhead, flashing, twinkling, and making the normally drab night-time streets of Benares glow with color. All around the temples, and spread out among the crowds of people, were stands of food vendors selling fare ranging from chaat and golgappa to popcorn, peanuts, momos and ice cream. The Indian festival season was in full swing.
After two consectutive nights of celebration, we had one night off, and then on Wednesday, it was back to festivities with the arrival of Dashera. The source for Dashera is in the Ramayana, an ancient Indian epic important to Hindus (although whether it has actual religious significance is up for debate). The Ramayana tells the story of Ram, the paradigmatic Indian hero, and the kidnapping of his wife, Sita, by Raven, the evil devil-king of Sri Lanka. In short (because the Ramayana is still on my to-read list), Dashera celebrates the day on which Ram killed Raven, ending his life with a fiery arrow blessed by god. In rememberence of this, on Dashera, all across India, effigies of Raven are lit on fire, exploded, and shot with arrows. Thus, on Wednesday night, we made our way to Lanka where a 50 foot tall statue of Raven towered over the packed streets, and hawkers laden with pinwheels, bows and arrows, and toy swords pushed their way through the crowds. We waited in anticipation of the main event as fireworks exploded across the sky. Suddenly, struck by a fiery arrow, Raven's head went up in flames. Spurred on by the small explosives stuffed inside, Raven's effigy was soon fully ablaze. Moments later, a pile of smoldering ashes lay where the 50 foot devil-king had once stood.
Then, this past Saturday marked the start of Bakri Eid, a Muslim holiday that commemorates what in Judaism is called akeidat yitzchak, also known as the "binding of Isaac" - or when Abraham was told by god to sacrifice his son, Isaac, but at the last minute was told to sacrifice a ram instead. The difference between the Jewish and Muslim tradition, however, is that in Islam, it is Ishmael, Abraham's other son (who is generally considered to be the forefather of Islam), who Abraham almost sacrificed. Thus, on Bakri Eid, Muslim families slaughter rams (or animals similar to rams) in commemoration of Abraham's sacrifice. In India, Pakistan and Bagladesh, goats are typically the animal of choice, and thus the name used for the holiday in those countries - Bakri Eid - comes from the Urdu word for goat. Wealthy families, apparently, will slaughter camels or water buffalo instead (quite a feat if you've ever seen a water buffalo or the size of the camels that have been wandering the streets around here).
Braced for the slaughter, we headed over to the home of Bridge Year's Urdu teacher (for those people who decide to learn Urdu as the year progresses) to witness his family's observance of Bakri Eid. As we walked in the door and he welcomed us, we were all prepared to be sat down, prepped for the slaughter, given time to gather ourselves and then, with emotions in check, lead to watch the slaughter of the first goat. But as soon as Salman welcomed us and started to lead us in to the house, we were informed that "the slaughter is already in progress." To me this meant that perhaps the first goat was already out there with a knife at its neck, but as soon as I got a glance into the house's small courtyard, I realized this was not the case.
If you're squeamish, I suggest that you skip the next paragraph.
Covering the stone floor of the courtyard was the carnage of dead goats. Glazed eyes, heads unnaturally bent back, and pools of red, red blood flowing slowly in to the drain. At first, the image was quite jarring, like the scene of a massacre flashed across news headlines. But the goats were dead - there was nothing to be done for them - and there had been nothing sadistic about their killings. It was only our minds, racing, looking for associations, trying to label and categorize what it was seeing, that gave the scene an eerie feel. But as we stood there, watching, acclimating, fascinated, and the men began to transform the carnage in to food, cutting, skinning, disemboweling, and cleaning, what had appeared to be a bloody mess became and organized, logical process for obtaining food. The most interesting part of the process was when the internal organs came out; it was almost unfathomable to me that the non-descript, mushy mess in front of my eyes had been able, moments before, to sustain a living being, and that I, too, sitting there, breathing, talking, thinking, watching, was alive and running due to the very same internal mush. If there was anything religious about the experience, it was that realization.
It was only after witnessing this process repeated for several goats that we saw the actual goat slaughter. Salman's family was slaughtering thirteen goats overall - the ideal is one for every person in the household, but between the several families participating in this joint venture, even with thirteen goats, they had not quite reached that goal. Having already seen what "after the slaughter" looks like, we were much more prepared to watch what was coming. We watched as three more goats were slaughtered. Again, you had to dissociate what was happening in front of you from the normal associations the brain makes with death and killing. The eerieness of slaughter comes from associating it with people, rather than thinking of it as a method of acquiring food. Obviously, some vegetarians may disagree, but people who eat meat have to admit that slaughter is an integral part of the process of obtaining food, a procedure that is quite different from the non-technical meaning of the word "slaughter," the one with which our brain most commonly associates. This is not at all to say that I enjoy watching animals be slaughtered, but I thought it was an important, interesting and edifying experience to have, not to mention that being part of a Bakri Eid celebration was an intersting experience in and of itself.
Now, with a short break from the festivities, I'm catching my breath before the biggest celebration of all - Diwali.
Happy festival season, all!